Bet FR i Dat te PNR HS ALA OF 8 EN

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Digitized by:

ASSOCIATION FOR PRESERVATION TECHNOLOGY, INTERNATIONAL BUILDING TECHNOLOGY HERITAGE LIBRARY

From the collection of:

NATIONAL BUILDING ARTS CENTER

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CHICAGO.

‘THe NontHWESTERN TERRA-@oTTA Co.

Fe reface

HE use of Architectural Terra Cotta has become general, and is firmly established in the principal cities of this country. If its superior qualities were generally understood, if it were known that it is not a mysterious compound, but simply architectural clay- ware; i. e., hollow brick made in all shapes and sizes from selected clay, progressive Architects and Manufacturers would find it easier to introduce it in the smaller cities.

The durability of terra cotta has been proven by numberless specimens, preserved to the present day, conveying records of the earliest nations known to history. _ Its effectiveness in absolutely protecting the steel skeletons of our “sky-scrapers’ has been demonstrated on a large scale by the Baltimore fire. High compressive strength, combined with cleanness of the surface, and lightness, add to its practical value.

An endless variety of unfading colors, and the ease with which the soft clay, from which terra cotta is made, yields to the

< most subtle impulse of the sculptor, as well as the comparatively low cost at which the most delicate as well as the most vigorous ornament can be

duplicated, make it the artistic building material par excellence.

GLAZED OR ENAMELED Terra Cotta is the ideal building material for smoky cities.

COLORISTIC TREATMENT of terra cotta will be a conspicuous feature in the American architecture of the future.

SPEAKING OF OUR OWN WORK AND WORKS. With the largest and best equipped plant, guided by thirty years of practical experience, assisted by the best talent in every department, and with the determination to excel, we have succeeded in producing the highest grade of Architectural Terra Cotta in all its varieties. :

THE DURABILITY OF OUR WARE has been proven by buildings put up a quarter of a century ago and by the fact that piles of “over pieces” of standard and enameled ware exposed to the weather in the open yard, and covered and filled with ice and snow year after year, are now in perfect condition, without crazes or cracks, and supply us with many of the finest samples we submit with our proposals.

THE FLINT-LIKE HARDNESS OF OUR MATERIAL is indicated by its clear, metallic ring. Our methods of burning exclude the possibility of a single under-bumed piece. ;

EQUAL CARE is exercised in every department. The result is perfect terra cotta, straight, everlasting, uniform in color, and artistic in form. Quality and promptness, and our never tiring efforts to please our patrons, made our reputation, and opened to us the market from coast to coast and from the Gulf to the Canadian Lakes.

THE PERFECTION OF OUR PRODUCT attracted the attention of European experts, and secured for us the highest awards in New Orleans, Chicago, and St. Louis.

At one time in 1905 we had the terra cotta for nearly a dozen UNITED STATES GOVERNMENT BUILDINGS IN WORK.

We call particular attention to the fact that all our work is CAREFULLY ASSEMBLED after leaving the kilns, checked up and fitted to exact sizes and close joints, so that no chisel need be used on it at the building, provided the proper care is taken by the setter and the dimensions of the building are correct.

WE PREFER TO ERECT OUR OWN WORK, especially on large and complicated jobs, and employ a large force of compe- tent terra cotta setters for the purpose.

THE TIME REQUIRED FOR MANUFACTURING terra cotta from special designs varies from four weeks to three months, de- pending on the character of the work. Barring unavoidable accidents, delays are usually caused by failure to furnish complete working data at time order is placed. On the following page we call attention to a few points in this connection. We are always ready to make our own full size details, but must depend on others for carefully figured general drawings and iron diagrams.

WE PRESENT THIS CATALOG TO OUR PATRONS, not in an attempt to repeat or resell that which already has been done, but to show in some degree what has been accomplished, and the approved standard methods that have been evolved.

ON PAGE SEVEN WE SHOW AN ATTEMPT AT POLYCHROMATIC ‘TREATMENT at our branch office in the Railway Exchange Building. We invite inspection to this room, with its walls built of inlaid faience in various colors. Page eleven shows a view of the ROTUNDA OF THE SAME BUILDING, which is executed in cream colored enameled terra cotta instead of marble which until now has predominated for such work. PAGE NINE SHOWS THE EMAMELED TERRA COTTA EX- TERIOR OF THE SAME BUILDING. Further pages are devoted to photographs of a few of the buildings for which we furnished terra cotta since the publication of our previous catalog.

PAGES 53, 55, 57,59, 61, 63 and 65 display practical methods of construction, which we think will be appreciated by the archi- tectural profession.

WE HAVE STUDIED SKELETON CONSTRUCTION in connection with TERRA COTTA from its very inception. Our experience is at the disposal of our patrons.

PAGES 47, 49 and 51 show photographs of modeling. The designs will not be duplicated, except by permission of the respective architects.

THE LAST THREE PAGES SHOW COPINGS, CHIMNEY TOPS AND VASES for which we have the molds.

We keep in stock, in red and buff colors, ready for immediate shipment, some of the goods indicated on these sheets; but in most cases, especially when other colors are desired, we require from three to four weeks to fill an order. Any change from the dimensions, shapes, etc., given on these sheets, will increase the cost and the time required to manufacture. The prices given are for standard terra cotta. Extra charge will be made for all kinds of glazes and enamels, granite and fire flashed work. We make almost any color and finish ever produced in our line.

We omit the usual catalog sheets with all kinds of ornamental stock work, as it is impossible to meet even a small fraction of the ever varying demands, as to style and dimensions, of the long list of architectural features. When desired, we shall attempt to find stock molds approximately corresponding with designs submitted and will send photographs and drawings of such features as we have for approval.

We will take pleasure in welcoming at our works all those interested, and show them the latest and best in architectural terra cotta.

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‘THe NontawesterN TERRA- Cotta Co.

Please Read the Following Carefully.

For Estimating.

NLESS DIAGRAMS with schedules showing all the Terra Cotta required are given, do not fail to send complete general drawings and specifications, including all elevations, all floor plans and roof plan, Longitudinal and Transverse sections, also iron drawings, large scale drawings and details if available. COLOR distinctly all Terra Cotta on all elevations.

Indicate Terra Cotta concealed behind porches, railings, inside of entrances, and give returns, etc.

Conditions Upon Which Proposals Are Based.

1. If not otherwise specified, all estimates are based on Standard Terra Cotta. 2. All moldings will be so profiled as to draw from the molds, except where details submitted for estimating require special treatment. "3. If no details are furnished for estimating, and if the specifications contain nothing to the contrary, all panels, mold- ings, and ornaments of equal dimensions will be made from the same molds, respectively.

4. SOFFITS. All soffits will be made plain, if not otherwise indicated.

5. ORNAMENTS. Photographs of ornaments will be submitted for approval if desired.

6. JOINTING. We joint work in the customary and most practicable manner, if no special provisions are made in the specifications.

7. KEY JOINTS. None will be made except where clearly shown, or necessitated by the construction.

8. BEDS. _ If not otherwise mentioned, we shall reduce or increase beds in the wall according to our judgment.

9. BACKING UP. All our work is calculated to safely support the superincumbent weight under ordinary circumstances; but all Terra Cotta should be filled in with brick and mortar, thus forming a homogeneous mass with the wall. Use tight cement mortar joints for backing.

10. ANCHORS. No anchors will be furnished unless specially mentioned in the specifications, or where we do our own setting.

11. CONSTRUCTIONAL IRON. Such iron will not be supplied, except when specially mentioned in the specifications.

12. FINISH. If not otherwise instructed, we will use a light vertical drove finish, about eight lines to the inch and slightly irregular on all surfaces, except on ornaments and backgrounds of same.

13. LAP JOINTS. If not otherwise instructed, we shall make lap joints for all sills and coping, for all washes more than three (3) inches wide. For enameled ware we-use raised joints.

- 14, TRANSOM BARS of small cross-section and over 24 inches long must be jointed, and ought to have iron supports.

15. RAILS for balustrades will be made to receive continuous steel of suitable shape and size.

16. DOWN SPOUTS. We will cut no holes for down spouts or conductors, except where shape, dimensions, and locations of such fixtures be given, and will allow one-half inch all around them for expansion by frost.

17. GUTTERS. We make gutter moldings of uniform cross-section ; the pitch for metal gutter is to be formed by furring or cementing. Terra Cotta Gutters without a lining are not safe.

Information Required for Manufacturing.

18. FIGURES. We need plans, elevations, and sections, with complete lines of figured dimensions in all directions. Give measure- ments on wall line. Color out Terra Cotta on elevations.

19. DETAILS. Please state whether you will furnish full size details.

20. RETURNS.. Where members return around side or rear, such returns should be shown and figured.

21. BRICK WORK. Send sample of brick, or dimensions of same. Give thickness of mortar joints. Remember that all except con- tinuous brick piers are determined by size of brick used. Give full size detail of molded brick where in contact with Terra Cotta. Give pro- jection of brick corbels.

22. OPENINGS. Give sizes, radii, and reveals. Where moldings, imposts, bases, or caps, return against frame, show how to finish against staff bead.

23. CIRCULAR BAYS. Give radii, chord, sizes of piers, openings and reveals. Say whether the frames are straight or circular in plan.

24. BAY WINDOWS. Give figures to determine angles.

25. COPING. Give thickness of walls.

26. GABLES. Establish pitch by figures.

27. CHIMNEYS. Give outside size, plan of flues and thickness of walls.

28. IRON LINTELS. Where these are used to support the Terra Cotta give section of iron and exact position by figures.

29. REIGLES. Show where reigles for metal flashing shall be cut.

30. COLOR. . We have on hand a large variety of samples of standard colors, and many of enameled, and will forward samples for examination on application. If possible select color from such samples, and give us the number of same. When special colors are to be matched, we may require extra time for experimenting. Where more than one color is used, distinguish them in coloring elevation.

Skeleton Construction.

We shall be pleased to give clients all possible information as to Terra Cotta in connection with such construction, and will assume respon- sibility for work carried out according to our suggestions. Please remember that SHOP DRAWINGS of steel must be furnished before we can proceed with the work. These drawings to include framing plans, column drawings showing brackets that engage the Terra Cotta, and

spandrel sections showing sizes of iron and giving location in figures. Pages 53, 55, 57, 59, 61, 63, ard 65 of this catalogue contain much information bearing on this construction. :

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THE NORTHWESTERN ‘TERRA-C@orTA @o.

RAILWAY EXCHANGE BUILDING, CHICAGO, ILL. Cream tinted Enameled Terra Cotta from sidewalk to cornice Branch office of the Northwestern Terra Cotta Co., Room 1415 D. H. Burnham & Co., Architects

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RAILWAY EXCHANGE BUILDING—lInterior Entrance, Court and Main Staircase

Cream tinted Enameled Terra Cotta, same as exterior of building

nham & Co., Architects

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Grand Prize Pavilion at Louisiana Purchase Exposition, 1904 Pavilion, Exhibited at World's Fair, Chicago, 1893 Cream Enameled Terra Cotta Gold Medal—Light red impervious Terra Cotta Otto Zippwald, Architect Arthur Heun, Architect

COMMERCIAL NATIONAL BANK BUILDING, New Orleans, La.—White Terra Cotta fronts Thomas Sully, Architect

15

THE NORTHWESTERN ‘TERRA- @oTTA @o.

GREAT NORTHERN THEATRE, CHICAGO, ILL. WELLS BUILDING, MILWAUKEE, WIS.

Entire front white Terra Cotta Cream speckled dull Enameled Terra Cotta fronts D. H. Burnham & Co., Architects H. C. Koch & Son, Architects

UNION TRUST BUILDING, CINCINNATI, OHIO REPUBLIC BUILDING, CHICAGO, ILL. Red and grey Terra Cotta White full Enameled Terra Cotta from sidewalk to cornice D. H. Burnham & Co., Architects Holabird & Roche? Architects

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STEWART BUILDING, CHICAGO, ILL. OLIVER BUILDING, PITTSBURG, PA. Lower rie eae tee rer ere id Terra Cotta Entire Pe ee lshag Cotta

MANDEL BROS. BUILDING, CHICAGO, ILL. GIMBEL BUILDING, MILWAUKEE, WIS. Terra Cotta fronts, light cream Enameled White Enameled Terra Cotta fronts Holabird & Roche, Architects D. H. Burnham & Co., Architects

19

‘THE NORTHWESTERN TERRA- CoTTA Co.

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ZOCH BUILDING, PITTSBURG, PA. STUDEBAKER BUILDING, CHICAGO, ILL. Full Enameled Terra Cotta front Buff Terra Cotta front F. C. Sauer, Architect S. S. Beman,' Architect

LIVERPOOL and LONDON and GLOBE BLDG., NEW ORLEANS, LA. CHAMBER OF COMMERCE BUILDING, LOS ANGELES, CAL. Dark brown Terra Cotta Grey Terra Cotta

Thos. Sully & Co., Architects é Wm. H. Allen, Architect

21

THE NORTHWESTERN ‘TERRA- COTTA Co.

TULANE-NEWCOMB BLDG., NEW ORLEANS, LA. Dull Enameled Terra Cotta Andry & Bendernagel, Architects

HERMAN BUILDING, MILWAUKEE, WIS. Brown Terra Cotta Jenney & Mundie, Architects

23

FARMERS BANK BUILDING, PITTSBURG, PA. Dull Enameled Terra Cotta Alden & Harlow, Architects

UNION TRUST BUILDING, DETROIT, MICH. Buff Terra Cotta Donaldson & Meier, Architects

‘THE NORTHWESTERN TERRA CorTA @o.

; SCHLE INGER & MAYER BUILDING CENTRAL LAND COMPANY BUILDING, PITTSBURG, PA. Now aes Pirie, Scott & Co., Retail Store

Red Terra Cotta 2 Dull Enameled Terra Cotta fronts

Alden & Harlow, Architects Louis H. Sullivan, Architect

INGALLS BUILDING, CINCINNATI, OHIO COLUMBUS MEMORIAL:.BUILDING, CHICAGO, ILL. Enameled Terra Cotta Pink Terra Cotta fronts Elzner & Anderson, Architects W. W. Boyington & Co., Architects 25

THE NORTHWESTERN TERRA- @orTA Co.

JAN. 28- 1902 Siete

$ NATIONAL LIFE INSURANCE CO. BLDG., CHICAGO, ILL. ORIENTAL BLOCK, SEATTLE, WASHINGTON

Impervious cream Terra Cotta erra Cotta Trimmings Jenney & Mundie, Architects Bebb & Mendel, Architects

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RELIANCE BUILDING, CHICAGO, ILL.

Enameled Terra Cotta fronts HIBERNIA BANK and TRUST co. BLDG., NEW ORLEANS, LA. This was the first large building erected with Enameled fronts White Terra Cotta D. H. Burnham & Co., Architects D. H. Burnham & Co., Architects 27

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THE NORTHWESTERN ‘TERRA: COTTA Co.

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ENTRANCE TO OLIVER BUILDING, PITTSBURG, PA. Entire fronts full cream Enameled Terra Cotta DOME OF STATE HOUSE, JACKSON, MISS. D H. Burnham & Co., Architects Grey Terra Cotta

Theo. C. Link, Architect

ENTRANCE TO BOYLSTON CHAMBERS, BOSTON, MASS. RESIDENCE OF J. R. TRUE, CHICAGO, ILL. Entire front light cream Enameled Terra Cotta FRONT ENTRANCE. Material cream and yellow tinted Enameled Terra Cotta Clinton J. Warren, Architect Background of ornament, around doorway fire-gilt

Huehl & Schmid, Architects

29

THE NORTHWESTERN ‘TERRA-@orTA Co.

MEDINAH TEMPLE, CHICAGO, ILL.

Greyish buff Terra Cotta trimmings Beers, Clay & Dutton, Architects

TRIBUNE BUILDING (upper stories) CHICAGO, ILL.

Impervious light tinted grey Terra Cotta .Holabird & Roche, Architects

BOYLSTON CHAMBERS, BOSTON, MASS.

Entire front cream Enameled Terra Cotta Clinton J. Warren, Architect

31

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The Dominion Bank Bldg., Winnipeg, Man., Can.—Color, Portage Entry Stone U: §. Gastom:- House ond Post Office Building T Fl Darling & Pearson, Architects sie @ ullding, Lampa, Fla.

| Dull white Enamel Terra Cotta

Detroit Opera House, Detroit, Mich— White Terra Cotta Mason & Rice, J. M. Wood, A. W. Chittenden, Architects

Douglas House, Houghton, Mich.—White Terra Cotta

Henry L. Ottenheimer, Architect

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Residence of C. M. Schwab—Light grey Terra Cotta Residence of J. R. True, Chicago, Ill—Enameled Terra Cotta—two tints Longfellow, Alden & Harlow, Architects Huehl & Schmid, Architects

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Residence of W. D. Hofius, Seattle, Wash.—White Terra Cotta Public Library, Erie, Pa.—Standard Terra Cotta

A. W. Spalding, Architect Alden & Harlow, Architects

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33

‘THE NORTHWESTERN TERRA: @orTa Co.

Margaretta School, Pittsburg, Pa.—Dull Enameled Terra Cotta East Liberty Library, Pittsburg, Pa.—White dull Enameled Terra Cotta C. M. Bartberger, Architect . : Alden & Harlow, Architects

Euclid Avenue Station, Cleveland, O.

Exterior Terra Cotta white, Interior Terra Cotta cream Enameled D. H. Burnham & Co., Architects

Union Passenger Station, Grand Rapids, Mich.— White Terra Cotta D. H. Burnham & Co., Architects

U.S. P. O. & Court House, Fergus Falls, Minn.—Grey Terra Cotta State National Bank, Texarkana, Ark.—Grey Terra Cotta

James Knox Taylor, Supervising Architect Sanguinet & Staats, Architects

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U.S. P. O., Butte, Mont.—Grey Terra Cotta - The American Insurance Co., Rockford, Ill—White Enameled Terra Cotta

James Knox Taylor, Supervising Architect Howard Shaw, Architect

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MABLEY BUILDING, CHANGED TO “MAJESTIC,” DETROIT, MICH- FRICK ANNEX, PITTSBURG, PA. White Terra Cotta : Enameled Terra Cotta D. H. Burnham & Co., Architects D. H. Burnham & Co., Architects

FIRST NATIONAL BANK, CINCINNATI, OHIO * MAJESTIC BUILDING, CHICAGO, ILL. Terra Cotta trimmings, court Enameled Cream aad nebhig front _h. . Krause, Architect

D. H. Burnham & Co., Architects

37

‘THE NORTHWESTERN ‘TERRA: @otIA @o.

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GERMAN BANK BUILDING, DUBUQUE. IA. ROYAL RESTAURANT <PITTSBURG, PA.

Dull Enameled Terra Cotta Entire front, dull Enameled Terra Cotta W. G. Williamson & John Spencer, Architects Alden & Harlow, Architects

R. R. STATION, TROY, N. Y.

Interior view—Variegated Green Glaze f Reed & Stem, Architects White Terra Cotta

ENTRANCE TO GREAT NORTHERN THEATRE, CHICAGO, ILL.

D. H. Burnham & Co., Architects

39

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GUARANTEE BUILDING, BUFFALO, N. Y

Name changed to Prudential Building UNION BANK BUILDING, WINNIPEG, MAN., CAN. : Light red Terra Cotta fronts . Bluish grey Terra Cotta F Adler & Sullivan, Architects Darling & Pearson, Architects

THE COLUMBUS SAVINGS and TRUST CO. BLDG., COLUMBUS, O. FIRST NATIONAL BANK BUILDING, HOUSTON, TEX.

Fire Flashed Terra Cotta Grey Terra Cotta Frank L, Packard, Architect Sanguinet & Staats, Architects

41

| ‘THe NORTHWESTERN TERRA: Cora Co.

U.S. P. O., Beaumont, Tex.—Grey Terra Cotta

James Knox Taylor, Supervising Architect

Wood Theatre, Kansas City, Mo.—White Terra Cotta

Louis Curtiss, Architect

Capt. Pabst’s Residence, Milwaukee, Wis.—Grey Terra Cotta Orphan Asylum, Chicago, Ill.- Grey Terra Cotta Ferry & Clas, Architects Shepley, Rutan & Coolidge, Architects

Chas. Greve, Apartment Bldg., Chicago, Ill.—Enameled Terra Cotta Library for State Normal School, Emporia, Kas._Grey Terra Cotta E. R. Krause, Architect Mauran, Russell & Garden, Architects

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U.S. P. O., Greenville, Tenn.— Grey Terra Cotta St. Charles Theatre, New Orleans, La.—White Terra Cotta

James Knox Taylor, Supervising Architect Favrot & Livaudais, Architects

43

‘THE NorTHWESTERN ‘TERRA- @oTTA Co.

MAJESTIC THEATRE (lower stories), CHICAGO, ILL.

Entire front Enameled Terra Cotta E. R. Krause, Architect

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MACHESNEY BUILDING, PITTSBURG, PA. IOWA TELEPHONE CO. BUILDING, SIOUX CITY, IA. Grey Impervious Terra Cotta Cream Terra Cotta Thos. H. Scott, Architect Wilfred W. Beach, Architect

45

THE NORTHWESTERN T'ERRA- @oTTA Co. 47

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THE NORTHWESTERN ‘TERRA- @orTA @o.

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C, Design dispensing with vertical, and concealing

horizontal joints diameter not to exceed 3-0" D, The only feasible method of jointing Classical column shafts over 2-0" in diameter i E, Two designs of modified fluting for Classical column shafts concealing vertical joints.

COLUMN CONSTRUCTION

A; Example of shaft in single prece, practical limit 8-0' in length. B, Shaft built up of drums, diameter not to exceed 2-0"

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Example showing lintel suspended from shelf;— this shelf suppor ting brickworlu

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Example showing suspended Soffit, wrth face of lintel

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tolop Flange of channel

Single Lintel resting both on shelf hooks the material above the Lintel having. a shelf bearing

Double Lintel. One with shelf bearing beme anchored lo lop flange of channel & the other hung by means of hangers

The sofftl in this case is both suspended and bedded

“on beam flange the upper

couse having a shelf bearing, 2 |

SPECIMENS OP LINTEL, CONSTRUCTION SHOWING VARIOUS: METHODS OF SUPPORTING, HANGING AND ANCHORING.

Rear and Front Elevations of Lintel , Section Showing method of hanging 0 explain- Note shelf fo ing fimctions of clips, dowels, hangers, ele « brickwork

Lintel with shelf bearing with anchor clamped over lop flange of beam— Nole arrangement of slaff bead for preventing injury to TC: by deflection of beam

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Example showing shelf bearing anchored through channel. web, & Soffit hung by means of hangers

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WALL PLATES 12x12" %

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ANCHOR Rops %” ROUND WITH NUTS & PLATES HANGERS %" ROUND

Ciips 2% 2""% BENT To FIT

CONNECTIONS STAND,

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ISOMETRIC SECTION SHOWING CONSTRUCTION OF PLATFORM

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So ec = RETURN TRONT ELEVATION

SS —— ae

——= é Vo TF ‘es beige

GO zal me

SECTION OF IRON SUPPORT AT CORNER. ON LINE AA.

Ss Vm =

ny OE Bes

4 Vif

At Ze Ce “oy 2 1 t ce ee - yo Tle Sie / i

i} r=

| ‘apes SL RoE

PLAN LOOKING UP

DETAILS OF CORNICE & BALUSTRADE tristced STIOWING betatrtseete hiss CORNER CONSTRUCTION : SUPPORT OF MODILLIONS

& CONSTRUCTION OF BALUSITR WAIL: SECTION sical coe le ees

ancl Qoye betsertees

co

61

THe NoRTHWESTERN TERRA CortA Co.

PEDIMENT DETAILS

SHOWING ARCHITRAVE @ SOFFIT SUPPORT AT CORNERS TYPICAL CORNICE WITH RAKE © GUTTER.

: 1z 630 t 3 SCALE 1g) mi = Fe

em

SECTION AA

ae

SS

= .

®,

Y SY =:

|

e

ae | mae

——— = = aa

% .

] j i j ony ae | | } | ad ae Sood RELEESS |

PLAN LOOKING UP

Tre NORTHWESTERN TERRA: Cotta Co.

=

When lintels are upy orted on Is coming closeto tie e the shobte selllement will caugetie stad bead iM Mba vp mains! Ihe lerra ely, and brook.

itoffas shown.

fj |

COMPARISON OF SOME METHODS

oral OF CONSTRUCTION , Jie lk a 3s é 3 L 2 shorler as st/A the oe ie eee a ———— Fert. wall nde af Seale fer all sketches if nat Aberwise marked. SS. . AT tapesgd sted wal Sts pote iscolorterra cat, ste beivesol Jopie sos , an es This is the eave lusters. e avoided. The Th, case of shall&y arches slightest settlement will wilh wide ie Ui Cc ie ‘Ow. Vougsoirs ie . te brea! ay s Reh prevenled fram siepag epee Si ves | Th: méthed Racker iS 6 th correc mathod. abpetizaable ieee e anchoring terra calle] metal ill Corro: and [S? Fades.

Wwaier will

3S eae Y VAS SSS bo SSS)

Wide soffite gas Asshould be cae op end: paneled as shown at "Bots insvre perfect align merst ir pieces ohrinke vaequally.

This wash. 1s not as Panels over \6'wide =, factor beiveam Ao) Sipser BT e ke We datled tal he aN s oN) Y) aR oun 7 can

GLEE Ct, Le oe V LILLIE

Iasure pe This isthe best: arrengeme Re i ps of wash. ab sobsill ks v) pany tke POS y Per colu: 2h > as 3) lo Y no: adjusleiaal VAUZZZZZZZIZZZ LE ZI EZ \

can. De . The brink th a Terrsleatc datil. | TS BSG Vip ne wil Real

4

eeeppgcaay clamp This construchonis

eS crown. mo. so

(LZ ANY y

Five hawag:

s N N NY N N N N N

J t— SPITS EPPPL PLU LP PPP

Five heuagt clegred In. widler, the wiz

waler wi nelra ,) | 1 A 6a FN rel td eae tteall everstoally freez ea we ZZZZZZZZ tb ai ws Same,

Wi DV ST 1 ee pt __ SOL Me BE 2 as m : 96 o i J oe ULZZZILZZZL | l VAGZZZZZLLLLLD Customary detil Pr chy ney coping’. Grred deta) fer chimney coping’ Erba ef reed ae Bued yout J ight frosts Raised jorstcot hack.

Afler the building bas sdlled the To avoid head the pati the L arches as general yl Detail modifed-te-suit- Ssalk wed ie wscticon el deat chedte & i defiled br sxe.

Bt Soe bit fe a saben Si iste a whee o pegpigtons con note pen ye See Leer

Shs catiek te Adel toes aster dpe o Tact te + :

Phrlls af shown. at A, tm pol. rests on the sidewall.

THE NORTHWESTERN TERRA CoTTA Co.

Section Numbers « Sections Plans sizes are given on the wall line 1501 hie Re RE ORAL EAS EB Le ED

d0¢ per fk 4

mooth Ends

iPelbete Ba BaP Fea

1502 _ : : 5A TERY EE "SI [lA A4O& per ft. ee Batis (er leetaainenees 2B | its ea LN I ro% vox, 20" et Zz IZ. 1503 Smooth, Ends ~ = a 40¢ per ft. : -

Be IZ. os Smooth Ends —— i Smooth Ends ney Re | [RH | et tee \ Smooth Ends HRA) BITRE] Pe PN je | es ce fee

Smooth Ends

ie

1504:

1308 75¢ per fl. «

_ 1509 75¢ per ft. :

1510 Tes : 15é per ti =———

1311 75¢ per fr. i

pee Ends

H

SPOCK: COPING

Order by letters and section

numbers, sas, I Only buff and red colors Any width of Wall may be covered by a combination of carried in stock, Milters,end Ihe various copings after the manner here indicated « pieces, elc., cos extra.

67

: Tre NORTHWESTERN TERRA: Cotta Co. 3 CHIMNEY ORS

| ee Stock of chimneys carried iw red and buff > Special work from stock moulds requires | a four weeks Linve i= Drawings of patterns not shown Uv Sketch showing varying conditions which catelogue may etwas are application vies Some ty combinations be HSpe hw such, cases state requirements and style if pessible Whew flue plaw is urregular or spocing between flues ivsulficent to accomodate full size top the superflucns portions of tops can be cub away in moking ~ a Iw such cases full. figured > plans are required. ement - No 1259 Flue Lining No 1259 ABC # S mes EH eJ Sectior Method of setting top on brick No 1259 No 1256 No 2041 No 1254 AB&C

SS AS '

1248 No 3000_

No 1259 No 1248 No ror ABCDE ef

D BCDEeF

: ra DCHE DUE | we at |Opewing [Deanieter Shape : Su A aan : ze at Opening ter | Shu | hbase attop [|Herght jat base|of shaft Price [Number |Device |) base a top |Height |at ce of sighs Price | | 1248 Top 10x 1-2 6x8 [oer Octagon | 1 [50 | 1259 FE |Bonnet | (Tor 1259/1250 8D ) “¥ 1" Round re [as |

roxto | ex.s. 20° Octagow| 2|50 Jase F Pipe 5S’ diauw Rouwd 1 |

LOxro’ | 8x s 148 Octagon} 1/50 fizso G | Top tx 5 | 7xitdiem 7 | 10x +4 8x 16 21" Octagow| 2] 00 1959 Hi [Bonnet | (Tor 1259/8) taxa | tox td vi" Octagew| 2/25 f1259 J [Bonet | Cor 1259\G) 1 }25 |

To Pr

Lrxer | Oc

EYXES | Oxtt¥diow

¥SX ¥S) | tdiem

8x Fo | 4x8 10° Square 1 [25 | vox to | 8'x 10° Square 1] 50 tox 4 | ox ro 10° Square | 1175

Fi dian

ny Tidiam Top 4x 4 | FO x LO 10° Square s [00 | | | 3:8 ox 18° . | Rouwd Top t4x | to x 14 10° Square 2|25 | posi [exeden| 5 Oval Ter [eave [revs : op VOx FS | bax r4a 10° Square 2|50 iS eae es se

eee Ba Oe oo Round Top ex £2 | o'diaa a0 Round. ich

im as wen “i re i

peice te F * oR - 7 " Rarer TEETER

~——

2:0

ho" Didwe

_ Hie".

THE NORTHWESTERN

TERRA: CoTTA Co.

ay

2uy

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Beat = 2 a fe AE, Remaanr sd a STMSAARNICSREESIEE ans 7 9 8 eh OR fav

“PRICE LIST:

N21406 |#10 | OO

NO1415 cl 15

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oOo oo |" 4418 | 6/00 | 80/00 |" 441941 10] 00

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